Thursday, 22 November 2012

Excerpts from The Dancing Wu Li Masters: An Overview of the New Physics

by Gary Zukav

......Gary talks about his experience writing "The Dancing Wu Li Masters."
My life is devoted to the transformation that is now occurring in the human species. We are expanding beyond the limitations of the five sense and evolution through the exploration of the physical world into perception that is not limited to the five sensesand evolution through the alignment of the personality with the soul.
Exploration of the physical world is the development of external power—the ability to manipulate and control. External power has produced agriculture, medicine, surgery and spacecraft. Everything that does not occur naturally in the worlds was built with external power.
The alignment of the personality with the soul is the creation of authentic power. It is accomplished through responsible choice with the assistance and guidance of nonphysical guides and Teachers. The soul seeks harmony, cooperation, sharing, and reverence for Life. Choosing these things aligns your personality with your soul, and creates authentic power. Choosing otherwise does not.
The alignment of the personality with the soul is the creation of authentic power.
The development of authentic power requires choosing harmony over discord, cooperation over competitions, sharing over hoarding, and revering Life instead of exploiting it. As you make these choices again and again, those parts of yourself that are in opposition to your health begin to lose power over you, and you begin to gain power over them. Eventually, they disintegrate.
My first experience of authentic power came in writing The Dancing Wu Li Masters: An Overview of Physics. When I was at work on this book I forgot to be worried aboutmy rent (I was unemployed), angry at my injustices, and jealous of others. I was excited, happy, engaged, productive, and fulfilled. I soon noticed that the book that I was writing was more intelligent than I, more humorous than I, and more coherent than I.
I had never written a book before, or even studied physics before. The day before it was released, The Dancing Wu Li Masters was acclaimed by the New York Times, and immediately won The American Book Award for Science in 1979. It was then bought by every major book club in the United States and re-published in mass market edition by Bantam Books. It has since been translated into sixteen languages and continues to sell briskly around the world.
This experience of authentic power—and the assistance that came to me as I labored onthe book—came by grace. I later learned that it can be developed into a permanent way of life. That is our future. That is authentic power.
I love sharing what I know about authentic power and learning what you know about it. I hope that my books on authentic power are stimulating to you (The Seat of theSoul and Thoughts from the Seat of the Soul, a collection of excerpts), and that our paths cross soon.
My first exposure to quantum physics occurred a few years ago when a friend invited me to an afternoon conference at the Lawrence Berkeley Laboratory in Berkeley, California. At that time, I had no connections with the scientific community, so I went to see what physicists were like. To my great surprise, I discovered that (1), I understood everything that they said, and (2), their discussion sounded very much like a theological discussion. I scarcely could believe what I had discovered. Physics was not the sterile, boring discipline that I had assumed it to be. It was a rich, profound venture which had become inseparable from philosophy. Incredibly, no one but physicists seemed to be aware of this remarkable development. As my interest in and knowledge of physics grew, I resolved to share this discovery with others. This book is a gift of my discovery. It is one of a series.
Generally speaking, people can be grouped into two categories of intellectual preference. The first group prefers explorations which require a precision of logical processes. These are the people who become interested in the natural sciences and mathematics. They do not become scientists because of their education, they choose a scientific education because it gratifies their scientific mental set. The second group prefers explorations which involve the intellect in a less logically rigorous manner. These are the people who become interested in the liberal arts. They do not have a liberal arts mentality because of their education, they choose a liberal arts education because it gratifies their liberal arts mental set.
Since both groups are intelligent, it is not difficult for members of one group to understand what members of the other group are studying. However, I have discovered a notable communication problem between the two groups. Many times my physicist friends have attempted to explain a concept to me and, in their exasperation, have tried one explanation after another, each one of which sounded (to me) abstract, difficult to grasp, and generally abstruse. When I could comprehend, at last, what they were trying to communicate, inevitably I was surprised to discover that the idea itself was actually quite simple. Conversely, I often have tried to explain a concept in terms which seemed (to me) laudably lucid, but which, to my exasperation, seemed hopelessly vague, ambiguous, and lacking in precision to my physicist friends. I hope that this book will be a useful translation which will help those people who do not have a scientific mental set (like me) to understand the extraordinary process which is occurring in theoretical physics. Like any translation, it is not as good as the original work and, of course, it is subject to the shortcomings of the translator. For better or worse, my first qualification as a translator is that, like you, I am not a physicist.
To compensate for my lack of education in physics (and for my liberal arts mentality) I asked, and received, the assistance of an extraordinary group of physicists. (They are listed in the acknowledgments). Four of them in particular, read the entire manuscript. As each chapter was completed, I sent a copy of it to each physicist and asked him to correct any conceptual or factual errors which he found. (Several other physicists read selected chapters).
My original intention was to use these comments to correct the text. However, I soon discovered that my physicist friends had given more attention to the manuscript than I had dared to hope. Not only were their comments thoughtful and penetrating, but, taken together, they formed a significant volume of information by themselves. The more I studied them, the more strongly I felt that I should share these comments with you. 
Therefore, in addition to correcting the manuscript with them, I also included in the footnotes those comments which do not duplicate the corrected text. In particular, I footnoted those comments which would have slowed the flow of the text or made it technical, and those comments which disagreed with the text and also disagreed with the comments of the other physicists. By publishing dissenting opinions in the footnotes, I have been able to include numerous ideas which would have lengthened and complicated the book if they had been presented in the text. From the beginning of The Dancing Wu Li Masters to the end, no term is used which is not explained immediately before or after its first use. This rule is not followed in the footnotes. This gives the footnotes an unmitigated freedom of expression. However, it also means that the footnotes contain terms that are not explained before, during, or after their use. The text respects your status as newcomer to a vast and exciting realm. The footnotes do not.
However, if you read the footnotes as you read the book, you will have the rare opportunity to see what four of the finest physicists in the world have to say about it as they, in effect, read it along with you. Their footnotes punctuate, illustrate, annotate, and jab at everything in the text. Better than it can be described, these footnotes reveal the aggressive precision with which men of science seek to remove the flaws from the work of a fellow scientist, even if he is an untrained colleague, like me, and the work is nontechnical, like this book.
The "new physics," as it is used in this book, means quantum mechanics, which began with Max Planck's theory of quanta in 1900, and relativity, which began with Albert Einstein's special theory of relativity in 1905. The old physics is the physics of Isaac Newton, which he discovered about three hundred years ago. "Classical physics" means any physics that attempts to explain reality in such a manner that for every element of physical reality there is a corresponding element in the theory. Therefore, "classical physics" includes the physics of Isaac Newton and relativity, both of which are structured in this one-to-one manner. It does not, however, include quantum mechanics, which, as we shall see, is one of the things that makes quantum mechanics unique.
Be gentle with yourself as you read. This book contains many rich and multifaceted stories, all of which are heady (pun?) stuff. You cannot learn them all at once any more than you can learn the stories told in War and Peace, Crime and Punishment, and Les Miserables all at once. I suggest that you read this book for your pleasure, and not to learn what is in it. There is a complete index at the back of the book and a good table of contents in the front. Between the two of them, you can return to any subject that catches your interest. Moreover, by enjoying yourself, you probably will remember more than if you had set about to learn it all.
One last note, this is not a book about physics and eastern philosophies. Although the poetic framework of Wu Li is conducive to such comparisons, this book is about quantum physics and relativity. In the future I hope to write another book specifically about physics and Buddhism. In view of the eastern flavor of Wu Li, however, I have included in this book those similarities between eastern philosophies and physics that seemed to me so obvious and significant that I felt that I would be doing you a disservice if I did not mention them in passing.
Happy reading.
Gary Zukav
San Francisco

July 1978 Copyright© 1984 by Gary Zukav

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