Tuesday, 20 November 2012

Hakim Bey

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Peter Lamborn Wilson
Born1945
Era20th-century philosophy
RegionWestern Philosophy
SchoolPost-left anarchy
Main interestsrefusal of work, post-industrial society, mysticism, utopianism
Notable ideasImmediatism, Temporary Autonomous Zones, ontological anarchy
Peter Lamborn Wilson (born 1945) (pseudonym Hakim Bey), is an American political and cultural writer, essayist, and poet, known for first proposing the concept of the Temporary Autonomous Zone (TAZ), based, in part, on a historical review of pirate utopias. He is an anarchist associated with the post-left anarchy tendency and individualist anarchism.[1]

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[edit] Life and work

Bey's early work is described in the translator's biography of one of his earliest works:
After studying at Columbia University, he did extensive traveling in the Middle East, Afghanistan, Pakistan, India and Nepal. He studied Tantra in West Bengal and visited many Sufi shrines and masters. In 1971 he undertook research on the Ni'matullāhī funded by the Marsden Foundation of New York.[2]
This research was the basis of Bey's book Kings of Love. The biography continues:
During 1974 and 1975 he was a consultant in London and Tehran for the World of Islam Festival. In 1974 he became director of English language publications at the Imperial Iranian Academy of Philosophy in Tehran under Seyyed Hossein Nasr, and he studied, worked with, and published books by Nasr, Toshihiko Izutsu, Henry Corbin and others. He was editor of Sophia Perennis, the Journal of the IIAP.
Bey left Iran during the Islamic Revolution. In the 1980s, his ideas evolved from a kind of Guénonist neo-traditionalism to a synthesis of anarchism and Situationist ideas with heterodox Sufism and Neopaganism, describing his ideas as "anarchist ontology" or "immediatism". In the past he has worked with the not-for-profit publishing project Autonomedia, in Brooklyn, New York.
In addition to his writings on anarchism and Temporary Autonomous Zones, Bey has written essays on such diverse topics as Tong traditions, the utopian Charles Fourier, the fascist Gabriele D'Annunzio, alleged connections between Sufism and ancient Celtic culture, technology and Luddism, Amanita muscaria use in ancient Ireland, and sacred pederasty in the Sufi tradition.[3] He has also written about pederasty for NAMBLA Bulletin.[4]
Bey's poetic texts and poems have appeared in: P.A.N.; Panthology One, Two, and Three; Ganymede; Exquisite Corpse; and the various Acolyte Reader paperbacks. Many of these poems, including the 'Sandburg' series, are collected in the as-yet unpublished DogStar volume. Currently his works can be found regularly in publications like Fifth Estate and the NYC-based First of the Month.
He has also published at least one novel, The Chronicles of Qamar: Crowstone.[5]
Bey, especially because of his TAZ work, has often been embraced by rave subculture, as ravers have identified the experience and occasions of raves as part of the tradition of "Temporary Autonomous Zones" that Bey outlines, particularly the "free party" or teknival scene. Bey has been supportive of the rave connection, while remarking in an interview, "The ravers were among my biggest readers... I wish they would rethink all this techno stuff — they didn’t get that part of my writing."[6]
In an interview with David Levi Strauss and Christopher Bamford in The Brooklyn Rail, Bey has said on the formation of Green Hermeticism:
“We all agreed that there is not a sufficient spiritual focus for the environmental movement. And without a spiritual focus, a movement like this doesn’t generate the kind of emotional energy that it needs to battle against global capitalism—that for which there is no other reality, according to most people. It should be a rallying call of the spirit for the environmental movement, or for as many parts of that movement as could be open to it.”
[7]

[edit] Philosophy and most important ideas

[edit] Ontological Anarchy

In the compilation of essays called Immediatism[8] Hakim Bey explains his particular conception of anarchism and anarchy which he calls "ontological anarchy". He defines it in the following way:
“Ontological Anarchy proposes that we wake up, and create our own day - even in the shadow of the State, that pustulant giant who sleeps, and whose dreams of Order metastatize as spasms of spectacular violence...The only force Significant enough to facilitate our act of creation seems to be desire, or as Charles Fourier called it, "Passion." Just as Chaos and Eros (along with Earth and Old Night) are Hesiod's first deities, so too no human endeavor occurs outside their cosmogeneous circle of attraction. The logic of Passion leads to the conclusion that all "states" are impossible, all "orders" illusory, except those of desire. No being, only becoming - hence the only viable government is that of love, or "attraction." Civilization merely hides from itself - behind a thin static scrim of rationality - the truth that only desire creates values...Nomadism and the Uprising, provide us with possible models for an "everyday life" of Ontological Anarchy...The penetration of everyday life by the marvelous - the creation of "situations" - belongs to the "material bodily principle", and to the imagination, and to the living fabric of the present. Immediatism by Hakim Bey. AK Press. 1994. pg. 2”
In the same compilation he deals with his view of the relationships of individuals with the exterior world as perceived by the senses and a theory of liberation which he calls "immediatism":

[edit] Immediatism

“All experience is mediated -by the mechanisms of sense perception, mentation, language, etc. -&: certainly all art consists of some further mediation of experience...However, mediation takes place by degrees. Some experiences (smell, taste, sexual pleasure, etc.) are less mediated than others (reading a book, looking through a telescope/listening to a record). Some media, especially "live" arts such as dance, theater, musical or bardic performance, are less mediated than others such as TV, CDs, Virtual Reality. Even among the media usually called "media," some are more Or others are less mediated, according to the intensity of imaginative partidpation they demand. Print Or radio demand more of the imagination, film less, TV even less, VR the least of all - so far...Immediatism is not a movement in the sense of an aesthetic program. It depends on situation, not style or content, message or School. It may take the form of any kind of creative play which can be performed by two or more people, by & for themselves, face-to-face & together. In this sense it is like a game, & therefore certain "rules" may apply...The task of Immediatist organization can be summed up as the widening of this circle. The greater the portion of my life that can be wrenched from the Work/Consume/Die cycle, and (re)turned over to the economy of the "bee", the greater my chance for pleasure. One runs a certain risk in thus thwarting the vampiric energies of institutions. But risk itself makes up part of the direct experience of pleasure, a fact noted in all insurrectionary moments - all moments of waking-up - of intense adventurous enjoyments: - the festal aspect of the Uprising, the insurrectionary nature of the Festival...The individual who realizes this immediacy can widen the circle of pleasure to some extent, simply by waking from the hypnosis of the "Spooks" (as Stirner called all abstractions); and yet more can be accomplished by "crime"; and still more by the doubling of the Self in sexuality. From Stirner's "Union of Self-Owning Ones" we proceed to Nietzsche's circle of "Free Spirits" and thence to Fourier's "Passional Series", doubling and redoubling ourselves even as the Other multiplies itself in the eros of the group. Immediatism by Hakim Bey. AK Press. 1994. pgs. 7-12”

[edit] Autonomous zones

Hakim Bey has written articles on three different types of what he calls "autonomous zones". As far as his concept of the Temporary Autonomous Zones (TAZ) he said in an interview that "the real genesis was my connection to the communal movement in America, my experiences in the 1960s in places like Timothy Leary’s commune in Millbrook...Usually only the religious ones last longer than a generation—and usually at the expense of becoming quite authoritarian, and probably dismal and boring as well. I’ve noticed that the exciting ones tend to disappear, and as I began to further study this phenomenon, I found that they tend to disappear in a year or a year and a half...And everybody in the ‘80s was giving a good deal of thought to the whole idea of what intentional community could mean and how it could improve your life to be in one, or if it even could at all. That was the question. I think it unquestionably does. People have great fun for at least a year or a year and a half, and then when the problems start, that’s usually when it breaks up. After thinking about that for a while, it occurred to me that, well, it’s not such a great tragedy that these things don’t last...Those people had an incredibly deep experience that changed their lives. They had fun while they were there. They had a more intense existence, with everything geared up to a higher charge."[9] The concept of TAZ was presented in a long elaboration in the book TAZ: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism.[10]

[edit] The TAZ or Temporary Autonomous Zones

“In short, we're not touting the TAZ as an exclusive end in itself, replacing all other forms of organization, tactics, and goals. We recommend it because it can provide the quality of enhancement associated with the uprising without necessarily leading to violence and martyrdom. The TAZ is like an uprising which does not engage directly with the State, a guerilla operation which liberates an area (of land, of time, of imagination) and then dissolves itself to re-form elsewhere/elsewhen, before the State can crush it. Because the State is concerned primarily with Simulation rather than substance, the TAZ can "occupy" these areas clandestinely and carry on its festal purposes for quite a while in relative peace. Perhaps certain small TAZs have lasted whole lifetimes because they went unnoticed, like hillbilly enclaves--because they never intersected with the Spectacle, never appeared outside that real life which is invisible to the agents of Simulation. T. A. Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism by Hakim Bey”

[edit] Periodic Autonomous Zones

“Of all the versions of the TAZ imagined so far, this “periodic” or seasonal zone is most open to criticism as a social palliative or an “Anarchist Club Med." It’s saved from mere selfishness however by the necessary fact of its self-organization. Your group must create the zone — you can’t buy it pre-packaged from some tourist agency...My defense of the summer (neo-)camp is based on two simple premises: — one, a month or two of relative freedom is better than absolutely none; two, it’s affordable. I’m assuming that your group is not made up of “nomads” or full-time freedom fighters, but of people who need to work for a living or are stuck in a city or ‘burb most of the year — potential transhumants. You want something more than a summer vacation — you want a summer community. Splashing in a humble Adirondack lake is more pleasureable to you than Disney World — provided you can do it with the people you like. Sharing the costs makes it possible, but also makes it an adventure in communicativeness and mutual enhancement. Making the place pay for itself or even turn a little off-the-books profit would transform your group into true neo-transhumants, with two economic focuses in your lives. Hakim Bey. "The Periodic Autonomous Zone"”

[edit] Permanent TAZs

“...so we’ve had to consider the fact that not all existing autonomous zones are “temporary”. Some are (at least by intention) more-or-less “permanent”. Certain cracks in the Babylonian Monolith appear so vacant that whole groups can move into them and settle down. Certain theories, such as “Permaculture”, have been developed to deal with this situation and make the most of it. “Villages”, “communes”, “communities”, even “arcologies” and “biospheres” (or other utopian-city forms) are being experimented with and implemented. Even here however TAZ-theory may offer some useful thought-tools and clarifications. What about a poetique (a “way of making”) and a politique (a “way of living-together) for the “permanent” TAZ (or “PAZ”)? What about the actual relation between temporariness and permanence? And how can the PAZ renew and refresh itself periodically with the “festival” aspect of the TAZ? Hakim Bey. "Permanent TAZs"”

[edit] Criticism

In Social Anarchism or Lifestyle Anarchism: An Unbridgeable Chasm, Murray Bookchin included Bey's work in what he called "lifestyle anarchism", which he criticised for tendencies towards mysticism, occultism, and irrationalism.[11] Bey did not respond publicly. Bob Black wrote a rejoinder to Bookchin in Anarchy after Leftism.

[edit] Bibliography

[edit] References

  1. ^ "People who think that they know our politics, who know that we are individualists (or even worse, “neo-individualists”), will no doubt be shocked to discover us taking an interest in the IWW...The Mackay Society, of which Mark & I are active members, is devoted to the anarchism of Max Stirner, Benj. Tucker & John Henry Mackay...As “individualists” moreover we have good reason to appreciate the IWW concept of the union. Stirner — contrary to the belief of those who have not actually read his book — spoke approvingly of a “Union of Unique Ones” (we prefer this translation to “Union of Egoists”), in which all members would reach for individual goals through common interests. He suggested that the workers had the most to gain by embracing this notion, & that if the productive class were to organize on such a basis it would prove irresistible. (The prejudice against Stirner, by the way, can be traced to Marx & Engels, who considered him potentially even more dangerous than Bakunin, & wrote their biggest book to destroy his influence.)...The Mackay Society, incidentally, represents a little-known current of individualist thought which never cut its ties with revolutionary labor. Dyer Lum, Ezra & Angela Haywood represent this school of thought; Jo Labadie, who wrote for Tucker’s Liberty, made himself a link between the american “plumb-line” anarchists, the “philosophical” individualists, & the syndicalist or communist branch of the movement; his influence reached the Mackay Society through his son, Laurance. Like the Italian Stirnerites (who influenced us through our late friend E. Arrigoni) we support all anti-authoritarian currents, despite their apparent contradictions. Why? Because we feel that some realization of personal liberty is possible even in the very act of struggling for it. "Hakim Bey. "An esoteric interpretation of the I.W.W. preamble"
  2. ^ Fakhruddin 'Iraqi: Divine Flashes, page viii. Paulist Press, 1983.
  3. ^ Wilson, Peter Lambourn. Contemplation of the Unbearded - The Rubaiyyat of Awhadoddin Kermani. Paidika, Vol.3, No.4, 1995.
  4. ^ Michael Muhammad Knight (2012). William S. Burroughs Vs. the Qur'an. Soft Skull Press. pp. 76–79. ISBN 978-1593764159.
  5. ^ OCLC 16810252
  6. ^ An Anarchist in the Hudson Valley Brooklyn Rail, July 2004
  7. ^ Levi Strauss, David (January 2008). "Green Hermeticism: David Levi Strauss in conversation with Peter Lamborn Wilson and Christopher Bamford". The Brooklyn Rail. http://brooklynrail.org/2007/12/art/green-hermeticism.
  8. ^ Immediatism by Hakim Bey. AK Press. 1994.
  9. ^ Hans Ulrich Obrist. "In Conversation with Hakim Bey" at e-flux
  10. ^ Hakim Bey. TAZ: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. Autonomedia. August 1991
  11. ^ Bookchin, Murray. Social Anarchism or Lifestyle Anarchism (1995). AK Press: Stirling. ISBN 978-1-873176-83-2. (pp. 20-26)

[edit] External links

[edit] See also

Najmoddin Kobra

19 November 2012

 

The Man of Light in Iranian Sufism

~Henry Corbin

It seems that Najmoddin Kobra was the first of the Sufi masters to focus his attention on the phenomena of colors, the colored photisms that the mystic can perceive in the course of his spiritual states. He took great pains to describe these colored lights and to interpret them as signs revealing the mystic's state and degree of spiritual progress. Some of the greatest masters of the Iranian Sufism issuing from this Central Asian school, notably Najm Dayeh Razi, Najm Kobra's direct disciple, and Alaoddawleh Semnani who followed his tariqat , have in their turn illustrated this experimental method of spiritual control which implies at the same time an appreciation of the symbolism of colors and their mutations.

This is certainly not to say that their predecessors were unfamiliar with visionary experiences. Far from it. But the anonymous short work of a shaykh (which must have been written later than Semnani, since it refers to him by name) bears witness to an "orthodox" teacher's alarm at what seemed to him an innovation. Sohravardi himself, at the end of his most important work, wherein his aim is to restore the "oriental theosophy," gives a detailed description of the experiences of light, of photisms , that a mystic can have ; however, colors and their symbolism are not yet referred to. 

The descriptions do not refer to physical perceptions; Najm Kobra alludes several times to these colored lights as something seen "with the eyes closed". They have to do with something related to the perception of an aura . There is indeed affinity and correspondence between physical colors and auric (or aural, "auroral") colors , in the sense that physical colors themselves have a moral and spiritual quality and that what the aura expresses corresponds to it, "symbolizes with it." This correspondence, this symbolism, is precisely what makes it possible for a spiritual master to establish a method of control by which to discriminate between suprasensory perceptions and what we would call today" hallucinations. " Technically, one should speak of it as visionary apperception. The phenomenon corresponding to it is primary and primordial, irreducible, just as the perception of a physical sound or color is irreducible to anything else. As for the organ of this visionary apperception and the mode of being in which it can function, these questions relate precisely to the " physiology of the man of light," whose growth is marked by the opening of what Najm Kobra calls the "senses su prasensory. "To the extent that the latter are the activity of the subject himself, of the soul, we shall conclude this study by briefly outlining an interconnection with Goethe's theory of "physiological colors."

It has to be understood, of course, that in the schema of the world presupposed and verified here by mystical experience , the terms light and darkness, clarity and obscurity, are neither metaphors nor comparisons. The mystic really and actually sees light and darkness , by a kind of vision that depends on an organ other than the physical organ of sight. He experiences and perceives the state from which he aspires to free himself as shadow and darkness, as powers which attract him downward ; he perceives as light all the signs and premonitions heralding his liberation, the direction from which it comes, all the apparitions that attract him upward. There is nothing questionable about the orientation of the world experienced in the vertical dimension : at the summit the heavenly pole , at the nadir the well of darkness where the element of light is held captive (just as, in the Mazdean schema, the light is in the north , the shadow and darkness are in the south). That the entire schematization is in perfect consonance with the Manichean cosmogony and at the same time with the Sohravardian recital of the Exile , and with the Song of the Pearl  in the Acts of Thomas, is what the first paragraph of Najm Kobra's great book tells us: "Learn , 0 my friend, that the object  of the search (morad) is God, and that the subject who seeks (the subject who makes effort, morid)  is a light that comes from him (or a particle of his light) ."  In  other words the "seeker," the hero of the Quest, is none other than the captive light itself, the man of light.

This is the first leitmotiv of Najm Kobra's great work. This particle of light aspires to free itself, to rise again to its origin . What is depicted in those of the Persian miniatures where the Manichean influence can be detected is thus exactly the same as what Najm Kobra perceives through visionary apperception. A flame comes down fro m the Heavens to meet the flame leaping up from the Earth, and at their fiery meeting-point Najm discerns or foresees the presence of the "heavenly Witness," the "suprasensory Guide", who is revealed in this climax as the homologue of Perfect Nature, the Nous, the guide of light of Prometheus-Phos.

There is a correlation between the escape of the man of light, the colored photisms, and the manifestation of the heavenly guide . This correlation itself intimates the condition which must precede all such experience : men must separate themselves from the veil that blinds them. 

Now, this veil is not outside themselves; it is a part o f them, and is the darkness of their creatural nature. My friend, shut your eyelids and look at what you see. If you tell me : I see nothing-you are mistaken. You can see very well, but unfortunately the darkness of your nature is so close to you that it obstructs your inner sight, to the point that you do not discern what is to be seen . If you want to discern it and to see it in front of you even with your eyes closed, begin by diminishing or by putting away from you something of your nature . But the path leading to that end is spiritual warfare. And the meaning of spiritual warfare is putting everything to work so as to re pel the enemies or to kill them. The enemies in this case are nature , the lower soul, and the devil. (§ 2)

To reach the goal, one must first orient oneself:  discern the shadow and where the shadow is. This shadow is composed of the three antagonists that have just been named . Spiritual warfare trains one to recognize the enemies, to know them by name , to distinguish the forms in which they appear, and to effect their transmutation. Actually these various works are carried out synchronically rather than successively ; progress and results are correlative : separation from the shadow and the fall of the shadow, manifestation of the lights and of the Guide of light. This exactly will serve as a final warning not to abuse the idea and the word shadow :  the guide of light is no more the shadow than he is a "positive" aspect o'f the shadow . This figure requires us henceforth to recognize another  dimension of the person, not a negativity but a transcendence. Since Najm Kobra's book is a spiritual journal rather than a didactic treatise, a diarium spirituale not unlike that of Ruzbehan, the best we can do is to single out certain of its leading themes; their lines converge. The three adversaries can only be destroyed at the price of an effort that attacks the discordant trilogy of the soul. The motive power to fuel this effort is the light itself, that is, the particle of light, the " man of light," effecting the conversion of like to like. The dhikr, as a spiritual technique, plays an essential role. The spiritual energy given off by the dhikr  makes possible the emergence and ascent from the well; this theme recurs with an emphasis we have already pointed out. The stages of ascent are accompanied by the colored photisms that herald the
growth of the subtle organs or centers of the man of light, attracted to and by the supernatural green  light that shines at the mouth of the well. At the end of this ascent, the phenomena of light multiply, heralding the rejoining with the heavenly Witness, at the pole.  Najm Kobra's entire doctrine perfectly exemplifies the archetype of individual initiation peculiar to Sufism.

Hakim Bey Resource



Hakim Bey and Ontological Anarchy


The Writings of Hakim Bey

 

The Writings of Peter Lamborn Wilson

 

Audio Resources

 

Information relating to Wilson / Bey himself

 

Moorish Resources

For those interested in some of Hakim Bey’s spirituality, here are several resources around the Moorish Orthodox Church of America: Moorish documents written by Hakim Bey: Moorish documents by other writers:  

External References

  • Biblioteca Hakim Bey, many of Peter Lamborn Wilson/Hakim Bey’s works translated into Portuguese.
 

Monday, 19 November 2012

Daemon

From Wikipedia, the free encyclopedia



A painting (Herbert James Draper,1909) of Lamia, the queen of Libya who became a daemon according to Greek mythology.
The words dæmon and daimôn are Latinized spellings of the Greek "δαίμων", a reference to the daemons of ancient Greek religion and mythology, as well as later Hellenistic religion and philosophy.[1]

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[edit] Description

Daemons are good or benevolent nature spirits, beings of the same nature as both mortals and gods, similar to ghosts, chthonic heroes, spirit guides, forces of nature or the gods themselves (see Plato's Symposium). Walter Burkert suggests that unlike the Judeo-Christian use of demon in a strictly malignant sense, “[a] general belief in spirits is not expressed by the term daimon until the 5th century when a doctor asserts that neurotic women and girls can be driven to suicide by imaginary apparitions, ‘evil daimones’. How far this is an expression of widespread popular superstition is not easy to judge… On the basis of Hesiod's myth, however, what did gain currency was for great and powerful figures to be honoured after death as a daimon…” [2] Daimon is not so much type of quasi-divine being, according to Burkert, but rather a non-personified “peculiar mode” of their activity.
In Hesiod's Theogony, Phaëton becomes an incorporeal daimon,[3] but, for example, the ills released by Pandora are deadly gods, keres, not daimones.[2] From Hesiod also, the people of the Golden Age were transformed into daimones by the will of Zeus, to benevolently serve mortals as their guardian spirits; “good beings who dispense riches…[nevertheless], they remain invisible, known only by their acts”.[4] The daimon of venerated heroes, were localized by the construction of shrines, so as not to restlessly wander, and were believed to confer protection and good fortune on those offering their respects.
Characterizations of the daemon as a dangerous, if not evil, lesser spirit were developed by Plato and his pupil Xenocrates,[2][dubious ] and later absorbed in Christian patristic writings along with Neo-Platonic elements.
In the Old Testament, evil spirits appear in the book of Judges and in Kings. In the Greek translation of the Septuagint, made for the Greek-speaking Jews of Alexandria, the Greek ángelos (άγγελος: "messenger") translates the Hebrew word mal'ak, while daimon (or neuter daimonion) carries the meaning of a natural spirit that is less than divine (see supernatural) and translates the Hebrew words for idols, foreign gods, certain beasts, and natural evils.[5] The usage of daimon in the New Testament's original Greek text, caused the Greek word to be applied to the Judeo-Christian concept of an evil spirit by the early 2nd century AD.

[edit] In mythology and philosophy


Carnelian gem imprint representing Socrates, Rome, 1st century BC-1st century AD.
Homer's use of the words theoí (θεοί: "gods") and daímones (δαίμονες), suggest that while distinct, they are similar in kind.[6] Later writers developed the distinction between the two.[7] In Cratylus (398 b), Plato speculates that the etymology of daimôn/daēmones (δαίμονες: deity/daêmôn δαήμονες) is from knowing or wise, however, it is more probably daiō (δαίω: "to divide, to distribute destinies, to allot").[8]
In Plato's Symposium, the priestess Diotima teaches Socrates that love is not a god, but rather a "great daemon" (202d). She goes on to explain that "everything daemonic is between divine and mortal" (202d-e), and she describes daemons as "interpreting and transporting human things to the gods and divine things to men; entreaties and sacrifices from below, and ordinances and requitals from above..." (202e). In Plato's Apology of Socrates, Socrates claimed to have a daimonion (literally, a "divine something")[9] that frequently warned him - in the form of a "voice" - against mistakes but never told him what to do.[10] However, the Platonic Socrates never refers to the daimonion as a daimōn; it was always an impersonal "something" or "sign".[11] Regarding the charge brought against Socrates in 399, Plato surmised “Socrates does wrong because he does not believe in the gods in whom the city believes, but introduces other daemonic beings…” Burkert notes that “a special being watches over each individual, a daimon who has obtained the person at his birth by lot, is an idea which we find in Plato, undoubtedly from earlier tradition. The famous, paradoxical saying of Heraclitus is already directed against such a view: 'character is for man his daimon'”.[2]

[edit] Categories

The Hellenistic Greeks divided daemons into good and evil categories: agathodaimōn (αγαθοδαιμων: "noble spirit"), from agathós (ἀγαθός: "good, brave, noble, moral, lucky, useful"), and kakódaimōn (κακοδαίμων: "malevolent spirit"), from kakós (κακός: "bad, evil"). They resemble the jinn (or genie) of Arab folklore, and in their humble efforts to help mediate the good and ill fortunes of human life, they resemble the Judeo-Christian guardian angel and adversarial demon, respectively, (see also, the problem of evil). Eudaimonia, the state of having a eudaemon, came to mean "well-being" or "happiness". The comparable Roman concept is the genius who accompanies and protects a person or presides over a place (see genius loci).
A distorted view of Homer's daemon results from an anachronistic reading in light of later characterizations by Plato and Xenocrates, his successor as head of the Academy, of the daemon as a potentially dangerous lesser spirit:[2][12] Burkert states that in the Symposium, Plato has “laid the foundation” that would make it all but impossible to imagine the daimon in any other way with Eros, who is neither god nor mortal but a mediator in between, and his metaphysical doctrine of an “incorporeal, pure actuality, energeia… identical to its performance: ‘thinking of thinking’, noesis noeseas… the most blessed existence, the highest origin of everything. ‘This is the god. On such a principle heaven depends, and the cosmos.’ The highest, the best is one; but for the movement of the planets a plurality of unmoved movers must further be assumed… In the monotheism of the mind philosophical speculation has reached an end-point. That even this is a self-projection of man, of the thinking philosopher, was not reflected on in ancient philosophy.
In Plato there is an incipient tendency towards the apotheosis of nous… Such philosophical coolness will mean little to the ordinary man who is hard pressed by everyday cares. He needs a closeness and availability of the divine which is offered neither by the stars nor by metaphysical principles. Here a name emerged to fill the gap, a name which had always designated the incomprehensible yet present activity of a higher power, daimon”. Daemons scarcely figure in Greek mythology or Greek art: they are felt but their unseen presence can only be assumed, with the exception of the agathodaemon, honored first with a libation in ceremonial wine-drinking, especially at the sanctuary of Dionysus, and represented in iconography by the chthonic serpent.
Burkert suggests that, for Plato, theology rests on two Forms: the Good and the Simple; which “Xenocrates unequivocally called the unity god” in sharp contrast to the poet's gods of epic and tragedy.[2] Although much like the gods, these figures were not always depicted without considerable moral ambiguity:
“On this account, the other traditional notion of the daemon as related to the souls of the dead is elided in favour of a spatial scenario which evidently also graduated in moral terms; though [Plato] says nothing of that here, it is a necessary inference from her account, just as Eros is midway between deficiency and plenitude… Indeed, Xencrates… explicitly understood daemones as ranged along a scale from good to bad… [Plutarch] speaks of ‘great and strong beings in the atmosphere, malevolent and morose, who rejoice in [unlucky days, religious festivals involving violence against the self, etc.], and after gaining them as their lot, they turn to nothing worse.’… The use of such malign daemones by human beings seems not to be even remotely imagined here: Xenocrates' intention was to provide an explanation for the sheer variety of polytheistic religious worship; but it is the potential for moral descrimination offered by the notion of daemones which later… became one further means of conceptualizing what distinguishes dominated practice from civic religion, and furthering the transformation of that practice into intentional profanation… Quite when the point was first made remains unanswerable. Much the same thought as [Plato's] is to be found in an explicitly Pythagorean context of probably late Hellenistic composition, the Pythagorean Commentaries, which evidently draws on older popular representations: ‘The whole air is full of souls. We call them daemones and heros, and it is they who send dreams, signs and illnesses to men; and not only men, but also to sheep and other domestic animals. It is towards these daemones that we direct purifications and apotropaic rites, all kinds of divination, the art of reading chance utterances, and so on’… This account differs from that of the early Academy in reaching back to the other, Archaic, view of daemones as souls, and thus anticipates the views of Plutarch and Apuleius in the Principate… It clearly implies that daemones can cause illness to livestock: this traditional dominated view has now reached the intellectuals”.[13]
In the Hellenistic ruler cult that began with Alexander the Great, it was not the ruler but his guiding daemon that was venerated. In the Archaic or early Classical period, the daimon had been democratized and internalized for each person, whom it served to guide, motivate and inspire, as one possessed of such good spirits.[14] Similarly, the first-century Roman Imperial cult began by venerating the genius or numen of Augustus, a distinction that blurred in time.

[edit] See also

[edit] Notes

  1. ^ Entry daimon (δαίμων) at Liddell & Scott).
  2. ^ a b c d e f Burkert, Walter (1985). Greek Religion. Harvard University Press. pp. 179–181,317,331,335. ISBN 978-0-674-36281-9. LCCN 84025209. http://books.google.com/books?id=sxurBtx6shoC&lpg=PA179. 
  3. ^ Hesiod, Theogony 991.
  4. ^ Hesiod, Works and Days 122-26.
  5. ^ Trimpi, Helen P (1973). "Demonology". In Wiener, Philip P. Dictionary of the History of Ideas. ISBN 0-684-13293-1. http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist1.xml;chunk.id=dv1-79. Retrieved 2009-12-02. 
  6. ^ As par example in Hom. Il. 1.222 í̱ d᾽ Oúlympon dé veví̱kei dó̱mat᾽ es aigióchoio Diós metá daímonas állous (ἣ δ᾽ Οὔλυμπον δὲ βεβήκει δώματ᾽ ἐς αἰγιόχοιο Διὸς μετὰ δαίμονας ἄλλους: "Then she went back to Olympus among the other gods [daimones]").
  7. ^ p. 115, John Burnet, Plato's Euthyprho, Apology of Socrates, and Crito, Clarendon 1924.
  8. ^ "daimōn", in Liddell, Henry and Robert Scott. 1996. A Greek-English Lexicon.
  9. ^ Plato, Apology 31c-d, 40a; p. 16, Burnet, Plato's Euthyprho, Apology of Socrates, and Crito.
  10. ^ pp. 16-17, Burnet, Plato's Euthyprho, Apology of Socrates, and Crito; pp. 99-100, M. Joyal, "To Daimonion and the Socratic Problem", Apeiron vol. 38 no. 2, 2005.
  11. ^ p. 16, Burnet, Plato's Euthyprho, Apology of Socrates, and Crito; p. 63, P. Destrée, "The Daimonion and the Philosophical Mission", Apeiron vol. 38 no. 2, 2005.
  12. ^ Samuel E. Bassett, "ΔΑΙΜΩΝ in Homer" The Classical Review 33.7/8 (November 1919), pp. 134-136, correcting an interpretation in Finsler, Homer 1914; the subject was taken up again by F.A. Wilford, "DAIMON in Homer" Numen12 (1965) pp. 217-32.
  13. ^ Ankarloo, Bengt; Clark, Stuart (1999). Witchcraft and Magic in Europe: Ancient Greece and Rome. Witchcraft and magic in Europe. vol. 2. University of Pennsylvania Press. p. 226. ISBN 978-0-8122-1705-6. LCCN 99002682. http://books.google.com/books?id=C80ooPNa0nEC&pg=PA226. 
  14. ^ W. W. Tarn, "The Hellenistic Ruler-Cult and the Daemon" The Journal of Hellenic Studies 48.2 (1928), pp. 206-219.

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"Scientific Mysticism" of Michael Whiteman

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