Augustin Lesage (1876-1954) was a French coal miner who became a self-taught spiritualist artist. He was possibly also schizophrenic.
He began painting in 1912 at age thirty-five a year after hearing a voice while working in a coal mine in northern France. The disembodied voice told him “Un jour, tu seras peintre” (“One day, you will be a painter.”)
Already a spiritualist, while Lesage was experimenting with communicating with spirits during seances and through automatic writing, spirits reassured him that the voice he heard had been real. The voice returned and soon instructed him not only to become an artist but what specific art supplies to buy, where to find them, and what to paint. He believed that his works were dictated by spirits, specifically Leonardo da Vinci, Marius of Tyana, Apollonius of Tyana, or Marie, his little sister who died at the age of three.
A Symbolic Composition of the Spiritual World,1923
A Symbolic Composition of the Spiritual World, 1925
Lesage wrote:
Before I start to paint I never have any idea as to what I want to portray. I never have an overview of the entire work at any point of the execution. My guides tell me : ‘Do not try to understand what you’re doing.’ I surrender to their impulse.After World War I he found a patron in Jean Meyer, the director of the Spiritualist journal La Revue Spirite and was able to quit working in the coal mine. He spent all of his time painting until his eyesight failed shortly before his death.
Many of his works, as well as others from the “Art Brut” (rough art) movement, are at the Lille Métropole Museum of Modern, Contemporary and Outsider Art in Villeneuve d’Ascq, France.
Untitled, oil on canvas
Christian Delacampagne wrote (translated by blogger Emily Ann Pothast):
The first large painting of Augustin Lesage is one of the most daring in modern art. Although not, strictly speaking, non-figurative (figures both architectural and anthropomorphic abound), it explores almost all possibilities of abstraction — lyrical as well as geometric — at a time when the latter, among professional artists, was still in its infancy. They are no less ornamental and decorative than the works of Kandinsky, Lesage’s spiritual contemporary. Indeed, is the distance so great between the the Theosophy dear to the Russian artist and the Spiritualism embraced by the French? The former hearkens to Rudolf Steiner, the latter to Léon Denis.Augustin Lesage, un messager de Dieu pas comme les autres (Augustin Lesage, a messenger of God like no other):
Via But does it float
Previously on Dangerous Minds:
A trippy tech take on Lesage
Another trippy tech take on Lesage
Jurgen Siewie, the noted artist, and psychic experiencer of the "higher worlds" beyond the physical gave this take on the above article on a social network site in October 2013. Incidently, Lesages work has also been compared to Buddhist Thangka art
......this is a revelation. I have seen the work before, but what is so fascinating is that it is highly representational of the pattern and thought forms that can be observed on the mental levels. There is a strong fractal element, which he has interpreted with floral pattern. Of course they could be regarded as manifestations of mental energies or thought forms.
The closest link to my own experiences are the 3D fractals generated via the latest fractal computer programs. Just look at these and compare: http://www.multidimensionalman.com/.../Mental_Realms.html
Last Saturday I was invited to experience the Lucid Light Machine developed by two neuro scientists from Austria, which used a specific brain frequency to generate special stobe lights. They, when viewed with the eyes closed, trigger first symmetric then fractal pattern, which again are very similar to the patterns viewed on the mental levels. Its interesting that Lesage's work is so reminiscent, despite the fact that fractals where not known of at the time he painted these.
Blogger Ref Link http://www.p2pfoundation.net/Multi-Dimensional_Science
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